Wednesday, October 22, 2008

Winter Park Angels: will they prevent another Wiki exit?

Since 2003, St. Petersburg was home to Jimmy Wales' Wikipedia and other "Wiki" companies until a year ago. In Sept. 2007, the Wiki parent, Wikimedia Foundation, announced their move to SF.

Wikimedia abandons Florida for San Francisco

Wikipedia chief Jimmy Wales announced the company was moving headquarters to San Francisco in the fall of 2007.

(SF Chronicle photo by Liz Hafalia)

"San Francisco is the center of high tech in the United States and will give the foundation access to a rich array of resources, including best-in-breed online talent, top-tier universities, world-class support services and major media," Florence Devouard, chairwoman of the Wikimedia Foundation board of trustees, said in a statement.

Craig Newmark, founder of Craigslist, said Wikimedia is a perfect addition to the local Web scene.

"There are so many people who deeply believe in its role in history and culture. I'm one of them, and I'm excited about the move," he said. "My usual remark is that 'Craigslist is for the moment, but Wikipedia is for the ages' - and I don't feel that's an exaggeration."

As someone who has been involved in several entrepreneurial businesses from the ground up, I look forward to seeing if the Winter Park Angels, a local venture capitalist group, will be able to vitalize new business, and the tech business, in Central Florida, and the economy of Florida in general. And, let's hope, allow Central Florida to be a home to more than simulation technology and some industry-specific software companies.

SF will be the heavy-hitter capital, to be sure. Good ideas have relocated there for a variety of good reasons. Workforce, business climate and geographic convenience are chief among the reasons. I would be very eager to see Orlando -- to be specific, the St. Pete to Daytona Beach corridor -- embrace not only more growing businesses, but more new ideas.

A social studies author, Richard Florida, identifies (accurately, I believe) the major "creative" centers of America. Happily, Orlando fits into one. San Francisco, New York City, Boston, Chicago, North Carolina's Triangle and other areas are among this list of the centers of America's future commercial centers. I am glad to see I am in one of those; I am debating whether I should trade this area in for another location. For now, though, seeing as this is kind of home to me (Mom lives an hour away, I grew up in Daytona area, and my wife likes Florida), I'm staying put.

(So, what's your take on the promise of small and startup tech businesses in your area? Feel free to comment.)


- Jon

Winter Park Angels - VCs offering cash for C. Fla. tech startups

These angels don't have wings -- they have cash | OrlandoSentinel.com

A Winter Park-based group of investors completed its first venture capital deal with a $575,000 stake in an Oviedo-based, new high-tech services company, officials said last week. These are VCs in my neighborhood. It is good to see that ideas with potential may be able to retain a local home.
The group has a number of local business luminaries including Jane Hames, president of Embassy Consultants LLC; former Lt. Gov. Toni Jennings, former Darden Restaurants Chairman Joe Lee, former SunTrust Central Florida president Tom Yochum and architect C.T. Hsu.

It is one of several "angel" groups statewide that focus on providing companies early stage financing that supplements money from founders, friends and family members.
PlusOne Solutions, the group's first funding recipient, has already reached profitability and hopes to reach $2 million in annual sales by its second year of existence, she said. The investment should help PlusOne fuel business nationwide and expand its sales and marketing staff.

Led by former Sears executive Craig Reilly, PlusOne develops information technology that helps retailers and product manufacturers manage their network of service technicians. The company lists Sears, General Electric, Samsung and other major companies among its customers."
- Jon

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Tuesday, October 21, 2008

Politics and media: they don't seem to mix well at all

Food for thought, for sites such as Digg.com and popular opinions, thus popular media, in general...

Some days I am driven to crazed distraction by the two-party system and the mainstream media -- the power-hitters on TV, print and Web -- namely because "small-world" views like many who've put in "diggs" or comments on many news or blog sites have amazingly simplistic views. I believe they are being heavily pelted by the broad brush of mainstream media with inane sound bites and awfully brief articles. Thus, they reach broad conclusions that are plain silly.

Two parties offers just one more way to make it simple to see things - the parties - as black and white.

What young, or any politically uninitiated, Americans need to get a grip on is that the media is doing two things that are poorly considered: 1, the media is failing to accurately draw attention to the most relevant issues (superficiality and sensationalism are tops, and the broad brush of media tends to take the liberal, immature road, failing to offer unbiased reports); 2, failing to be forthcoming with commentaries and editorializing versus news stories, and their political stances.

I respect, without considering my like or dislike for them or their views, folks like Rush Limbaugh, Bill O'Reilly, Alan Colmes, Sean Hannity, Lou Dobbs, Pat Buchanan, and Michael Moore, for being forthcoming about their political and ideological leanings. It is so-called reporters and journalists who stumble along in what I assume to be arrogance and self-admiration, or outright ignorance, denying a liberal or independent or conservative bent, that get on my nerves. Most seem happy to not know themselves, let alone divulge their stance, and the consumers seem to invite the ignorance of just where they're getting their news from.

Written almost 50 years ago, you ought to read a book called "The Fourth Estate" by John L. Hulteng and Roy Paul Nelson (1971) for an idea of just what journalism is about, when you get under its skin (or in this case, under the newsprint, a-hah). If you prefer an elixir of eery fact-swirling (Hey! That's an opinion! Yeah, and I'm allowed, this is a blog; what's more, this is my blog), see some of Noam Chomsky's comments on journalism's darker influences and the very process of journalism.


- Jon O

How I was led to give up a career in media (part 1)

I had a boss, an editor, who expected the archaic pyramid structure from "feature" and "people" stories. This was not a top editor, but she was my direct boss. She was the one my management thought I deserved to work under. I disagreed, made that known, and it appeared her bosses were powerless to change things in any way. Pathetic.


It took less than three months of her "leadership" for me to leave. I found, desperate, another job with an even worse company that didn't last. Yet, she was gone in a year, maybe less (I lost track), as well. What a waste of my career she was.


I had gotten on rather well for six months, putting out fires and dealing with issues, and each week putting out two weekly sections with a fellow assistant editor. We were not the most compatible of personalities, but we got along, and we learned from and taught each other a variety of things. We did well.


Our initial editor/boss had bailed out the week after I was hired (not due to me, she got another job). The new editor, who joined us after six months of fending for ourselves, ruined the pace and tone of the operation. She was the classic manager who got in the way of progress. Among other things, she could not handle free-willed humans -- she was more suited to sheep, or turtles; something less sentient. I was not sheepish enough to absorb her crude, autocratic and low-tech management and operational approach, and she overreacted to my offering ideas in substantially the wrong manner.


The end, for me, came when she debated my taking a second job. I took the job literally to pay basic bills (in an unrelated industry, no less) since I was paid so little by the large media company. Her views on my needing a second job were so selfish to her interests, despite the wages I was earning, I found it hard to tolerate conversations about it. But she couldn't even leave it between us. She tried to apologize for it afterward, but she set the HR Vee Pee on my trail (no broad-thinking soul, either, this VP) for taking the second job. It was clear that she was not in control, and was desperate to be protected by other managers at the same time she put on a face of composure in front of them. (She had been divorced after a very brief marriage, and perhaps she was taking some rage about her loser husband out on the only guy in the room. I really didn't know why she was out of control, and I couldn't care: she was not reasonable to be around.) What an awful job experience. 


What joy I felt when I got away from that boss. What great sadness I felt to leave that job, though. I had endured months of unemployment in pursuit of a door into a media company, in a job as a writer and editor. It was totally bizarre to take that job, perhaps, but there are a method to my madness; unfortunately, I had not considered how to handle working for an insecure, jilted, edgy, control-freak editor.


Before the nightmare job

Not to beat it to death, but I took that job after having launched a publication in a large southern city. At the new daily, I was in print and production, doing page design, planning the issues, and designing and writing ads. I worked myself to cold sweats at it; turns out, some people resented that. I was laid off in an ownership and management shuffle. Namely, the new owners hardly ever talked to me, and the new management was appointed for lack of a better idea by the new owners. It was a very sad time for me. 


I was married only six weeks when I got canned from that new newspaper job, so I was not exactly feeling like I was blessed to have been shown the door by these new guys. My wife didn't work since she was not a citizen thus and not allowed to work (she's Australian, if you're wondering). The layoff caught me quite painfully in a variety of ways. Obviously, I was played like a fish, for my broad talents and skills, worked to the bone, and then ejected. In hindsight, perhaps I should have been more selfish about the whole process. Oh well, not really my style to be a spoiled brat (oops, wrong country, d'ya think!?). That whole time, I missed the journalism side of the business, keeping myself to the one aspect of it. 


I wanted to remain in media, and I missed being able to write, interview people, and edit -- I missed journalism while I was creating that new publication. I was not some one-trick pony, so I forced myself to focus on jobs that would allow me to do what I wanted -- to write. So that's what I tried to find when I was given a meager severance and shown the door.  


I took a "starter" editor job with Large-Name media company (I won't name them here, as I assume they are not so poorly managed today), with ideas for movin' on up. It was in a city 900 miles away. Big move! (Little gain for me, as I now explain.) That was where I suffered three months under a newly married-divorced, combative, and sniveling editor. 


I had my second worst experience in media while there (I won't even go into the #1 worst). I had the misfortune several years back of working for this behemoth, and while the place I worked was not bleeding money, the company was. Why? It was not for overpaying the majority of the editorial staff, I can personally attest to that. 


I needed to earn more, so I got a part-time job. I was mistaken to believe that this was my right as a private citizen: The company thinly informed me that I was its bee-a-itch. I got 20 questions first from my editor, then from the lead HR demon, multiple times, for taking that part-time job. 


Why? It threatened my being unable to put in OT at night. I should note that I was not even being paid for OT but informed I was supposed to do it. In fact, I put in long hours when we lacked an editor, and never got any OT, every week, if it was needed. When the mistake was discovered, it was handled so poorly that I would have been an idiot for not feeling cheated. Especially with the tawdry pay I received. I guess some people just didn't have bosses that twisted up all over the place when they got a second job and resisted OT. Not mine, and not her friend, the HR VP. 


So I left after nine months. Probably would have been three months, or a month, if the editor was "running" things when I arrived. Likely, I would not have even moved at all if I were aware I would have worked with her!


To me, back then, Large-Name was the king of the rampant employee OT rip-off. Not a story was written about it, either. There's honesty in journalism for you. I wonder how much has changed since that long period of insult of every low-wage salaried editor? 


The lack of good salary, OT and expensing oversight meant, to me, that those at the top either walked into the roles from other companies, unaware of the mess, or they made their way up by ignoring horrible management practices, and the cycle might still repeat itself.



Epilogue:

This year I noticed the former CEO of that Large-Name subsidiary media company I worked at is running things alongside Big Wig Owner in the Headquarters Large-City. Yeesh. I hope that blatant error was an innocent policy of partial indenture of the little people. I hope they don't let it happen again! 



- Jon O

Writing a news story: The non-inverted, non-pyramid structured story

I am a writer and a journalist


I have standards where I prefer to be accurate and balanced when I am writing a news article, or nonfiction journalism. Differentiate news from a blog posting, or a commentary on the news -- the two are not the same thing. Some seem to think they are, however. I don't regard them as similar. I don't see how blogs can be anything but opinions, frankly. 


I expect more from journalism: I expect a report with insight, not a biased half-factual propaganda piece. 


I am not a professor of journalism, but I have been integral in a variety of journalistic and publishing endeavors. Not least of my exposures to the field was that my father was a journalism instructor and a PhD in the Humanities. 



Michael Crichton weighed in a decade ago about the decline of traditional media (see related post, from September) 

A revealing line, regarding the myopic approach of information media today: 
The inverted pyramid story structure was a response to the newly-invented telegraph; reporters were not sure they could get the whole story in before the telegraph broke down, and so began to put the most important information first. 

Writers who are limited by such a simplistic rule as the inverted pyramid are expected to remain insignificant writers and expected to not think or provide human insight. It is the companies, not journalism schools, who popularly refuse to change. The world is full of great and currently viable ideas, and decent schools offer them; too few people can manage to use them in the industry, that's simply shameful.


I do not totally agree that the most important stuff in news articles should not be first. I don't think that was the novelist's point, either. But it shows just how unlearned news media bosses can be that this is still an editorial criterion. It is a noble struggle to write clearly, to write accurately, and be a good journalist (non-biased, balanced, researching the facts). 


To have to obsess over such an archaic rule seems an unfair burden on the effort of being correct and writing something that readers will want to take in. For me, when writing human interest articles, this rule is absurd. Being lazy about story organization is (obviously) not admirable; readers deserve to see something worth reading, though. Dried out facts and the first available village idiot's comment do not a good story make. 


I had a boss, an editor, who expected this inverted pyramid structure from "feature" and "people" stories (see related, depressing post). I assume I am not alone in suffering with such banality. This was not a top editor, but it was my direct boss. This editor was the one management thought I deserved to work under. I disagreed, I made that known, and it appeared her bosses were powerless to change things. It took less than three months of her "leadership" for me to leave. She was gone in a year, maybe less (I lost track). 


The inverted pyramid structure is a smart approach for just-the-facts news pieces, or "hard" news. But it is not the right approach to anything outside of that -- not rationally -- and not for the benefit of retaining a dwindling readership or viewer-ship. The pyramid is hard-news-use only. Hard news: car accidents and initial details known about homicides or warehouse fires. It is not the promise of interesting journalism. Opinion, commentary, feature, trial report, journalistic eyewitness accounts -- different needs than . Insight is not always biased. 


Here's a crude contra-rule: Writing more than 300 (or so) words? Forget the pyramid. Stress ought to be more on factual accuracy and balance; intelligence. Of course, be sure you can get by, of you'll end up in job purgatory like I was several years back with that editor. "Did you check your facts?" an editor will ask. If one is struggling with the stupid pyramid, maybe the facts will suffer. Maybe the story will take longer, to be sure both facts and this silly structure concept are both addressed. Time costs money, accuracy costs reputation. Where in that equation is the pyramid? 


If facts, or details of the facts, suffer for the use of the inverted pyramid, then the reader, and thus the publication, suffer. Why pay respect to a traditional rule created to utilize a technology that is hardly ever used in our tech-savvy part of the world? Drop it. 


Approaching news like writer day-laboring is no longer a good idea; hasn't been for 15 years or more. "New journalism" isn't exactly good for much, either. Facts matter, not sassiness and not archaic rules. 



- Jon O

Saturday, October 4, 2008

Hello, Joe! Me produce for you long time


Date:
October 4, 2008 10:55:10 am EDT
Subject: Fwd: Produce 3D Computer Rendering, Animation & Carton Movie in China

I thought you might need "carton artists". FYI. They offer "quotaions," which might be poisonous, I don't know. Just be careful. Don't drink the milk, play with the toys, or have a dog (in an area where anyone has or might ever get rabies), because all these things are dangerous in one way or another in China.


Begin forwarded message:
Date: October 4, 2008 04:08:48 am EDT
Subject: Produce 3D Computer Rendering, Animation & Carton Movie in China

Dear businesspersons:

We have 35 creative artists in our studio. We can create:

3D Walkthrough (Min.USD100 per second)
Short Animation (Min.USD1500 per minute)
Cartoon Movie (Min.USD1500 per minute)
Video/Movie After Effects (USD60 per second or Up)
2D/3D game (Min.USD4000 each project)

We are seeking jobs a continuing basis, the ideal customers are:

Game companies
Movie companies
Architectural companies
Advertisement Company or Media
Any business for promotion campaign

Software we use:

AutoCAD, UGNX, 3DMAX, MAYA, Photoshop and Flash.

Serious buyers feel free to contact us for a quotaion. Free demo
is available.

Q&B Art Studio
Shenzhen City, Guangdong Province, PR China
Contact: Kikita Liu
FAX:86 755 26087477 Phone: 86 755 26087974
(from email)

Thursday, October 2, 2008

At age 94, editor and publisher, Robert Giroux, dies

Robert Giroux; Publishing Maverick Discovered and Edited Great Writers - washingtonpost.com
Novelist and short story writer Peter Taylor -- one of Mr. Giroux's many discoveries -- called him "the best publisher there is." In a 1980 profile of Mr. Giroux in the New York Times Book Review, poet Donald Hall wrote, "He is the only living editor whose name is bracketed with that of Maxwell Perkins," the editor of F. Scott Fitzgerald and Ernest Hemingway.

Mr. Giroux's editorial hand -- largely unseen by the public -- stretched from the 1940s, when he edited poet T.S. Eliot and novelist and essayist George Orwell, to the late 1990s. He published the first books of Jack Kerouac, Flannery O'Connor, Jean Stafford, Bernard Malamud, William Gaddis, Susan Sontag, Larry Woiwode and Randall Jarrell and edited no fewer than seven Nobel laureates: Eliot, Isaac Bashevis Singer, Derek Walcott, Nadine Gordimer, Seamus Heaney, William Golding and Alexander Solzhenitsyn.

Robert Giroux, 94, an "editorial mastermind who brightened the words of some of the foremost writers of the 20th century," as the Washington Post put it, died in Tinton Falls, NJ. on Sept 5, 2008, at an assisted living facility.

He was born in Jersey City, NJ, and got his start at the Jersey Journal

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